Tuesday, June 30, 2009

gray. quiet and tired and mean, picking at a worried seam




exactly three years to the day that this misguided, unfinished half-sleeve saw it's beginning, it will be laid to rest. wearing your heart on your sleeve and your history in your skin is one thing, but when the history behind a long-broken heart seeps into a much-improved daily existence, you have to learn to let go.

and so i am. it hurts too much not to.

late this afternoon, adam hays will begin the long process of covering this mess up. i'm not giving anything away. you'll just have to wait and see. i'm feeling a lot of things: ambivalence seems to be at the core of it. sadness and excitement make for an odd mix.

Thursday, June 25, 2009

take a look at yourself, then make a change

the king of pop died today. here's what things looked like outside the apollo theater in harlem at about 11 pm:


Monday, June 22, 2009

it was so easy and the words so sweet

i did something last week that set me back a good ways in my attempts to diffuse my anger from my last relationship. i spent all week thinking about it, prepping to present it to my therapist, only to leave her office post-appointment feeling no closer to a solution. i'm trying to be patient. it's been a long time since i immersed myself in the process of therapy, but i never really had a particular goal before. i don't feel like this woman and i are on a common wavelength. i feel like the questions she asks me are misguided and off-point and i don't want to hear theories involving my subconscious because i think it's a crock. i'm trying to suss out how many sessions is a proper evaluative period on either end and whether i should start hunting for a new therapist. i wish it wasn't so hard to find a therapist who takes my insurance (which is really fucking good insurance, but the fact that it originates out of california seems to be a problem) and who also makes information about their approaches to their practice available for possible clients. boo.

i'm also really frustrated on a professional level. i have a job which pays me alright, is in an industry i love, but bores me to tears. i have a "hobby" which gets me a good amount of exposure and plenty of connections, but no cash. i meet people who shoot for massive stock photo companies who get paid for uninspired, technically shitty photos. i meet people who are GOOD but who make their cash on headshots or weddings. i guess there's always a compromise, i just wish i had options that would allow me to also make a living on the thing that i'm good at. sometimes i feel like i'm banging my head against a wall. i think the fact that i'm not business-minded in the slightest is a big factor, too. i'm not sure yet how to approach that particular issue, but i'm working on the idea that all good things come with time.

anyway, still having fun with the new lens:




ps: the new regina spektor album comes out tomorrow and it's fantastic. get it.

Thursday, June 18, 2009

somebunny got a new toy!

okay, so i may or may not have blown half my paycheck on a new, super wide angle lens. it's a tokina 11-16mm f/2.8. i got it from a dude on craigslist for about $75 below list. even better: this lens is a BITCH to get ahold of. it's backordered everywhere.

except for here BECAUSE IT'S MINE.


this is literally the first shot i took with the lens. the dude was standing with me, and i just sort of half-assed my settings and didn't really compose the shot, but i like it anyway.

i took this one a couple hours later when we were walking the dog. our bedroom overlooks this alley. the window is right by the fire escape.




these are the products of katie's efforts at the helm of the great cammurabi (yes, i named my camera cammurabi).


i can't wait to shoot a show with this bad boy, but i have to deal with that whole learning curve thing first.

Monday, June 15, 2009

we go hard

instead of shooting deer tick and jenny lewis last week, i got last minute tickets to see santigold off of craigslist. katie loves santi, so it was an anniversary gift. i also set myself up with a photo pass. it was a tough shoot--made me realize i'm out of practice shooting in venues with actual pits and time limits. it humbled me a little.


amanda blank's light-up pants




i don't really LOVE any of the shots, but they're acceptable. one thing that did make me realize that maybe i'm a little hard on myself is the following: i got an e-mail from amanda blank last night. it said that she and santi loved my photos, which was some really nice validation. we exchanged a couple of messages, talked a bit about the power of these here internets and how lady photographers understand how lady artists want to be portrayed by the big, bad media machine.

anyway, some more photos from the show: click!

Wednesday, June 10, 2009

and this is where the words go that tell you what this entry is about, except these particular words don't at all

Untitled, 6/10/09

But I do feel an absence here.

A little bit of something dropped from 30,000 feet on that last trip up, maybe
somewhere over the Carolinas or down in the Blue Ridge mountains. Maybe
I’m being a pessimist and maybe it wasn’t that long ago at all. Maybe you left it
in a drawer in your office under to-do lists and folders numbered
based on priority. Maybe it’s in the freezer in one of the half-empty
ice cube trays. Maybe it’s in your oversized purse—could be anything in there.

You’ll say that it’s me, that I misplace things and maybe I set it down
with the set of house keys I lost weeks ago or threw it in the trash
on 52nd and 10th with my coffee when I stopped to snap a shot
of that bird with the french fry gripped firmly in its beak for all of my followers
on Twitter to see. Maybe I did.

Maybe I left it in my old room, in the closet there, hanging from a hook.
I could have left it on the bus, like I left my phone that one time in January
when I left work in the middle of the afternoon because I was tired
and got off a stop early for fresh cookies from the bakery. We’d been exchanging
dirty text messages and I’ll bet whoever ended up with the phone
got a mighty kick out of that.

Maybe we didn’t lose it at all.

I imagine it on vacation--my kind of vacation: last minute, unplanned,
wholly random. On a bus traversing the corn fields of Nebraska
with a notebook, a camera, and some music.
Three days away from home. Three days of quiet.
It will meet its destination, look around, and come back to us,
but it will not take the same route.

And when it does, we’ll stop what we’re doing.
Your dark eyes will find my lighter ones,
and we’ll know just where to find it.

Monday, June 8, 2009

viewfinders

quickly: i'm today's featured photographer on viewfinders. check it.

blue, the color of our planet from far, far away

someone asked me last night why lesbians love amanda palmer. i didn't realize that lesbians in particular had an affinity for her, but i do know she's a damn good role model. she's passionate, articulate, intuitive, and real. she stands for something--many things. she might be a little (okay, a lot) fucking weird, but at least she knows that. she doesn't take herself too seriously and she wants to make the world a better place. even better: she's an accessible role model, which is a nice perk.




1. the entire set of photos up on brooklynvegan.
2. that second photo? that's a pretty accurate representation of what i had to deal with for the duration of the show. it was the second time in as many weeks that i felt really embarrassed to be associated with my peers (the first was at the recent girl talk show). when i shoot, i try to be cognizant of the people around me--i want to get the shot, but in most cases, i'm on assignment and haven't paid for my ticket(s), so i try not have a false sense of entitlement about the whole thing.

like, you know, when i shoot, i try to make sure my elbows aren't in people's faces, my camera isn't in their line of sight for EVERY song (we're really only supposed to shoot the first three songs, anyway), and a lot of the time, i try to stoop down a bit because i'm sorta tall for a girl. i don't usually push past people to GET THE SHOT, and if i ask to, i won't stay the entire time.

the girl in the photo above was RUDE as she pushed past me, even though i said NO to her and showed her my photo pass. then, she said she'd only stay for a few songs during the opening act, but stayed for THE ENTIRE SHOW. cunt. i'm dying to find out who she is, as it's usually pretty easy to figure those sorts of things out here.

that particular idiot was annoying more than anything, but when it comes to the girl talk show, i left simultaneously wanting to cry and hit people. there were two "photographers" there who were downright violent in their approach. one of them, paul birman, was shooting for brooklynvegan. i'd never met him before, but somehow i knew. you can almost always tell a BV shooter from anyone else by their technique--i have no idea why.

anyway, i'd been watching him shoot the opener and was interested in seeing his photos (i should point out that i didn't have my camera with me that evening). then, when girl talk came onstage, things got a little rowdy. katie and i were dead center in front of gillis (GT)--so much so that he kept grabbing me and shit. at some point, this birman guy tried to elbow katie out of his way. he made me so fucking angry i almost hit him. i e-mailed him later, once i found out who he was, to tell him he was a douche, and i got a typical douche response. in a second e-mail (neither of which i responded to, if i remember), he said he'd like to smooth things over and that, at the show, he'd said excuse me, but i must not have heard him. seriously? elbowing two chicks in the front of the crowd does not an excuse me make, sir. the second photographer who pissed me off isn't really worth mentioning. she was just an asshole.

my point is that getting the shot isn't worth all that. part of the charm of concert photography is trying to get the job done by being inconspicuous (unless there's a photo pit) and blending in with the crowd. we get a lot of cool perks that others don't, so it's easy to take it too far, but i'm beginning to think a lot of us need to do some re-evaluating. myself included.

whatever. remember how i mentioned that i shot the bangles and that suzanna hoffs is still hot? check it:








i was supposed to shoot deer tick and jenny lewis tomorrow night, but deer tick's web pr people are dicks. they confirmed me well over a month ago, but suddenly only have ten list spots. idiots.

Friday, June 5, 2009

but god can be funny at a cocktail party when listening to a good god-themed joke

some photos of amanda palmer & neil gaiman. did you know they were dating? i didn't. with as closely as i follow amanda, this should have occurred to me, but it didn't. whatever. amanda's dating the sandman. she wins.





i really, really need to learn about color correction. it's a downfall of mine. my colors rarely pop, and if they do, it's too much. my skin tones are always off, my blacks aren't deep enough, and oftentimes, the color just looks drab. HOW DO I FIX IT? i'm sure it's partially a need for monitor calibration, but my 'eye' needs a lot of help, too.

--

something i wrote in my journal that got me thinking:

the other night, she told me she loved how much i love her. it's been in my head for days. i didn't want to forget that, at some point, someone recognized my love as something other than a burden or an embarrassment.

i can't tell if it's an astute observation or if i'm throwing a pity party for one.

Tuesday, June 2, 2009

play your part

shot girl talk last thursday. i have a lot of things to say about that show, but given my penchant for quiet lately, i'm not sure if they'll ever actually get said in this venue. anyway, here's a shot of greg gillis's shoe:



i won tickets to the show through a photo contest SPIN sponsored. i decided taking my camera would probably be a bad idea, and i was right, but i had katie's old point and shoot with me. i was right up front. the photos would have been beautiful. sadly, this is the only acceptable shot i got with the point and shoot.

i shot the bangles (!!!) on sunday and i'm confirmed to shoot amanda palmer & neil gaiman at tomorrow night's housingworks benefit, in addition to amanda's show on friday. oh, and melissa ferrick on saturday. on the seventh day i will rest.

rinse, repeat. not complaining.